CV

EDUCATION

2021-2024 Princeton University School of Architecture, MArch

2013-2017 University of Washington, BA in Architecture, Voice Performance, Magna Cum Laude with Interdisciplinary Honors

POSITIONS

2021-Present Dust Festival / Co-Founder with Michael Gebhart

2020-Present Freelance Copywriter and Editor / Self-Employed

2020-Present direct object / Founder, Managing Editor

2020-Present Arcade NW, Seattle, WA / Co-Editor

2021-2022 Pink Noise Projects, Philadelphia, PA / Member/Co-Owner

2020-2021 SOIL Gallery, Seattle, WA / Member/Co-Owner

2019-2021 Schemata Workshop, Seattle, WA / Designer, Marketing Coordinator

2017-2019 Peter Miller Books, Seattle, WA / Associate

2017-2018 UrbanADD Architects, Seattle, WA / Designer

2017 GRAY Magazine, Seattle, WA / Editorial Intern

2016 Chin Music Press, Seattle, WA / Publicity Intern

RECENT WORK

2022

W-E | performance with Casey Adams | Glasshouse, New Paltz, NY

2021

2020

Artifact of Sweet, Whole | artifact installation | SOIL Gallery Seattle, WA
Artifact of From:On,Of I documentation video installation | Chashama Gallery, New York, NY
Rheum/Apartment I performance and installation | SOIL Gallery, Seattle, WA
Let (Why My Mother Can’t Sleep At Night) | performance | Table + Chairs, Seattle, WA

2019

2018

SELECT COLLABORATIONS

2020
An Evening of Music | performance led by Noel Kennon | Vermillion Gallery, Seattle, WA
Selected Drift in Dream Stasis | performance led by Joey Largent | The Chapel, Seattle, WA

2019
Shades and Gradients | performance led by Noel Kennon | Cornish College of the Arts, Seattle, WA

2018
Our Carnal Hearts | performance led by Rachel Mars | On The Boards, Seattle, WA

2017
Dido and Aeneas | performance led by Stephen Stubbs | Pacific MusicWorks, Seattle, WA

2016
Orphee et Eurydice | performance led by Gilbert Blin | Pacific MusicWorks, Seattle, WA

2015
The Magic Flute | performance led by Dan Miller | Pacific MusicWorks, Seattle, WA

2014
Semele I performance led by James Darrah | Pacific MusicWorks, Seattle, WA

PUBLICATIONS

Dec 2021 direct object, Issue 1
Dec 2020 “extr.action,” Emergency INDEX, Vol. 9
July 2020 “Eyes Wide Open: The ‘Death’ of Our Great American City,” Arcade NW Issue 38.1: Phase Shift
Nov 2019 “Fertile Ground: Performance in the Space between Art and Architecture,” Arcade NW Issue 37.2: Liminal Space
Sep 2019 “Space for Sound: Applying Vocal Music Pedagogy to Performance Art Practice,” InterNos Journal of the National Association of Teachers of Singing,
Vol. 52, No. 2
Apr 2017 “The Emancipation of Urban Noise: John Cage’s Music as Acoustic Ecology,” ResearchWorks Archive, University of Washington Library

AWARDS

June 2017 Architecture Department Award
May 2017 UW Library Research Award Grand Prize for “The Emancipation of Urban Noise: John Cage’s Music as Acoustic Ecology”
June 2016 College of Built Environments: Robin M. Towne Endowed Scholarship in Acoustics

PRESS

Sep 2021 “Event Spotlight: Here Was Always Spent There,” Variable West
Feb 2021 “YFVI Jocelyn Beausire Artist Talk,” Yellow Fish VI Durational Performance Festival and Residency
May 2020 “Jocelyn Beausire Fishbowl Interview,” SOIL Gallery, conducted by Margie Livingston, Seattle, WA
Aug 2019 “Stranger (Than Usual) Things to Do in Seattle Feature: Improvisations on a Female Threat,” The Stranger, Seattle, WA
May 2019 “Resident Artist Talk,” ChaNorth Artist Residency, Pine Plains Free Library, Pine Plains, NY
Mar 2019 “Faces of Phi Beta Kappa,” Phi Beta Kappa, National Feature
Jan 2019 “Stranger (Than Usual) Things to Do in Seattle Feature: Extr.action,” The Stranger, Seattle, WA

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